Wellfleet's OysterFest was cold this year. The past two years the weather has been autumnally sunny and bright, crisp without settling in your bones. Not so this year. The OysterFest hosted thousands of people layered in wool and fleece, but no one needed rain gear. It was just clouds most of the day Saturday, with breaks of sun, and then full gray cloud cover and winds on Sunday. Still, they came out for the oysters and the shucking contests and the great food of all kinds, and the music. And for the crafts offered at tents in two parking lots and along the town's little Main Street. Some people bought pots, and for that I'm grateful. It was not a great show financially, but it wasn't bad. Lots of talk among the vendors of the effect of the economy on folks like us, selling beautiful things like Washington Ledesma's pots and paintings and the Georgian crafts in the next booth to me sold by the Americans For Georgia (that's the one in Europe, not the one in the American South). Most everyone said their sales were down from previous years. Mine, too. Down about one-third from the past couple of years. But worth doing, for the money and for the inevitably friendly and talkative people who do buy pots. Every year the same people come back and usually buy. Often, it's younger couples, like the pair who thought very, very carefully before buying a pair of teabowls on Saturday. Or the other young woman who visited maybe four times before coming in on Sunday and buying a hanging vase. Or the woman from Derby, Conn., who spotted a crawled and faceted Shino vase on Saturday, thought about it all night, then came in first thing Sunday and said, "I want that!" Or the woman who bought nothing this year, but came in with her husband to tell me that she uses the teapot she bought last year "every day." I love that kind of buyer. I'll attach a couple of photos to the post: the view from behind my counter; a couple's hands working together to inspect the fine woven work from Georgia on the table next to my tent; the woodcarver who worked in the tent on the other side of me. This afternoon my two friends Donna and Janet helped unpack the pots and tomorrow I'll get everything back on the shelves. And then I'll get back to making pots for the show at Donna's house Nov. 7 and 8.
I make and sell functional pottery at Hatchville Pottery in Hatchville, a neighborhood of the town of Falmouth, at the west end of Cape Cod in Massachusetts. I'm a former journalist - 20 years as a photographer, writer and editor - who began to make pottery about 20 years ago in Alexandria, VA. My training is in pots for eating, drinking and displaying flowers, often with an Asian or late British influence. Hamada Shoji, Phil Rogers, Dan Finnegan, Nakazato Takashi, Kanzaki Shiho are all influences.
Married 40 years to Dee, a massage therapist in Falmouth, with one child, Marcus.
To see more of my pots, go to my website at http://web.me.com/hatchvillepottery/Site/Home.html
DIRECTIONS TO THE POTTERY: We are at 494 Boxberry Hill Rd. in East Falmouth. Take the Route 151/Mashpee exit off Route 28 in North Falmouth, go east on 151 to the first flashing light, take a right onto Boxberry Hill. We're about a quarter mile down on the right, at the corner of Brady Drive. Call 508-563-1948 for more information, or email email@example.com