Just finished loading the glaze kiln with teabowls, vases, many mugs, a few other odds and ends.
Somehow, I always think I need new pots for a show, in this case Art in the Park by the Artists Group of Charlestown, in Boston. Never mind that there are hundreds in the shed gallery and another hundred or more in the upstairs gallery. And I just packed up about seven clay boxes with "seconds" for the Cape Cod Potters' seconds sale next month ... and the shed hardly looks any different.
And I've been excited about big teabowls the past month or so, so there are several in this firing. Faceted and expanded and torqued, then glazed usually in a base Shino glaze with pours of Shino, ash and other glazes over that. You can see some in the photos. I wanted a wider choice in picking out four chawan or yunomi for the Durango show next month. There might be a good one in there somewhere.
There are also a couple of Kim Medeiros pots in there, as well as a few refires by one of her students. Kim's pots like my kiln for some reason.
Oh, and a woman was in the gallery Sunday and asked, "Are your prices fixed?" I paused, then said, "Well, they're glued to the side of each pot, if that's what you mean."
I hate that question. How do you all handle it?