I refired about 15 of the underfired pots from the Truro wood kiln, opening my own kiln yesterday. It was a pretty good firing. Most of the wood pots, whose glazes looked reeeeaaalllly bad at cone 2, matured nicely, particularly with the amber ash going lovely and transparent over crackle slip (a technique adapted from Virginia potter Dan Finnegan).
And Kim Medeiros, my stoking partner in Truro, got several pots into this firing, too, coming out with very nice work, both refired and first-fired. Her glazes do well in my kiln.
I'll just post a few pictures of the pots for you. I'm throwing again for the next firing here, but I haven't thrown in a few weeks and it feels like I never knew how. Jeez ...
So, to the pots: Top, a lovely fat jar, crackle slip under a gray Shino; squared jar, crackle slip under amber ash, ash celadon on the bottom; trailed crackle slip under amber ash on a small cup; larger teabowl faceted with twisted wire, with amber ash; my prize from the woodfiring, one of Kim's tumblers, traded for one of my small cups.
#18 summer summit 2018
6 hours ago