My friend Tracey Broome's most recent blog post (go to "A Potter's Life for Me" on the right side of this page) made me smile. Tracey's talented musician/filmmaker/artist daughter Wesley had one of my cups with her at school this year, a cup I sent her after one she acquired here on Cape Cod unexpectedly leaked. (I never expect them to leak ... ) Wes told her mother, "This cup was an important companion to me this past year."
That's the kind of sentiment that keeps a lot of us making pots. We're about to enter the craft fair season here on Cape Cod, a crazy and often maddeningly unrewarding way of marketing these pots that I love to make. I sell pots not because I love selling, but so that I can keep buying clay and making pots.
But I always hope to find a buyer like Wesley, who spends time finding the cup (or mug or pitcher or vase ... ) that speaks to her and then has a relationship with that pot in her life. They're out there, but they're a minority.
As I sit here, I've got a Michael Kline teabowl, just emptied of morning coffee, next to my keyboard. And I have many more by friends and acquaintances, pots that get me into the morning, through the day and sometimes through the evening. English potter Paul Jessop's big tankard, for example, often holds the water with lime that I drink in the evening. I have relationships with all those pots.
Wes's teabowl (behind the rabbit in the second photo) was made a few years ago and might be one of the stack of three shown in Linda Bloomfield's 2011 book "Colour in Glazes." In any case, it clearly was made about the same time as those three crawled Shino cups. I'm glad Wes and the cup know each other so well.
The top two of these photos were pirated from Tracey's blog. That's Wes in the first photo. The bottom photo is the one that appears in "Colour in Glazes."
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