It will be interesting to see if two Cape Cod potters - Kimberly Sheerin Medeiros and myself - can draw fellow Cape Codders across the canal and down the highway to New Bedford this Saturday. Personally, I'm doubtful; it's difficult to draw Cape people off-Cape in the spring and summer. But there's always a chance.
Kim and I have been working together on pots for "Facets of the Harbor" at Gallery 65 on William for the past month - throwing, stamping, slip-trailing, trimming, glazing, firing ... and we think it will be a good show at this lovely cooperative gallery in downtown New Bedford. Our pots and John Robson's photographs should work well together in the old whaling city.
I have longtime links to New Bedford. My grandmother, Edna Jackson, was born there on January 1, 1900. My mother went to nursing school there. For much of my childhood on Martha's Vineyard, New Bedford was served by a ferry from the island and was the "big city" Islanders went to for department stores, dentists, doctors.
But the city has had some hard economic times in the past few decades, as the fishing industry suffered, and the downtown is not the magnet that it once was for shoppers. Still, it's rallied with the conversion of a big department store into the arts department of the University of Massachusetts at Dartmouth. And the New Bedford Whaling Museum is a first-class attraction just a block or so from Gallery 65. New restaurants and galleries have been opening. The Zeiterion, an old theater downtown, books tours of national and international performers. It's become an interesting place, particularly as artists trained at the downtown school have decided to stay and work in New Bedford. And Kim and I are delighted to be asked to be part of it.
If you're on the Cape or in Southeastern Massachusetts, please come to the show and see what the artists are creating on the cobblestone streets of the old fishing port. The opening is this Saturday, June 8, from 6 to 8 p.m.
Here are two pots from the show: At top, a platter thrown by me and decorated by Kim; bottom, a vase from my wheel, altered, stamped and glazed by Kim.
The Spring kiln Opening
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